Archive for May, 2011

Making mischief: Splashy Fen part II

Tuesday, May 10th, 2011

Day three began with the banging of bongos. I could faintly hear singing as a procession of bongo drummers traipsed through the farm. I decided it was time for a bath. Two days of dirt makes for a smelly person.

The trip down to the river is mandatory. In fact, it’s how we spent most of our morning. Chilling with beer, freezing in the 11°C water and splashing about until our knees were blue. Some of us stayed under for so long, we may have permanently altered our body temperature.

The sky is a clear blue with a bit of chill in the air. The sharp cold running through my nose reminds me how manic life in Johannesburg really is. Not once this year have I seen the air so clear. In between drinking and chatting, the faint music from the main tent  forms the perfect backdrop to a perfect morning.

Trudging back to the centre of the party, Arlyn Culwick’s sweet sounds float through the air as the hippies practice their poi with ribbons. Newtown are fantastic and The Nomadic Orchestra urge me to sit and listen.

The sun makes everyone lazy and we see people sprawled around waiting for the rugby match to start. Being a KZN festival, most Fenners support The Sharks. It’s smiles and beer all around as we trounce The Hurricanes. High spirits and highness. Perfect to welcome Ard Matthews.

Ard Matthews

Now, anyone who knows anything about South African music would know Ard is a legend. Front man of Just Jinger, he is masterful, even on his own. Acoustic versions of the songs we love best tug at my heartstrings, and his cover of Cat Stevens’ Father and Son leaves not a dry eye in the house. Cold and slightly wet from the bit of rain, everyone huddles under the tent listening to him. He’s such a Durban boy. Still humble, still human.

On the other stage, the vibe is very different. Fruits and Veggies, an eclectic band of madness, take the stage and Purity’s bug eyes and crazy stage antics make for an energetic and wild performance. I can’t not dance. It’s as if she has the audience under a spell saying ‘dance, motherfuckers, dance!’. Not too unlike her, too.

Fruits & Veggies

The Car Boot Vendors follow and do pretty much the same thing.  Both bands, very close in age, style and circle of friends, are lively, insane and pretty darn good. Not really something for international stages, but sheer enjoyment nonetheless. Their don’t-care attitudes and on-stage performances make them formidable in Durban. I would like to see how they fare in Joburg.

Car Boot Vendors

Boo! ends off the evening with a bang as Chris Chameleon in a signature drag queen outfit takes the stage. Old great songs mixed with a few new ones gets the crowd dancing, but I can’t help but feel they’re kind of losing their touch. This performance seemed a bit lacklustre until their usual flamboyant end. Their usual ‘monkipunk’ style was there, but without the flair that makes the trio as amazing as they are known to be.

Boo!

Campfire time and my camping mates steal a tree and try to plant it with tent pegs. Splashy Stupidity. Another reason this weekend is so epic.

Sunday is met with hymns coming from some tents, easter eggs falling from the sky and another trip to the river before we head up to watch the final day of bands.

The Hairy Legged Lentil Eaters, a group of guys who never grew up singing silly songs about short people and Henry VIII busk on the rocks as a small group look on sitting on the grass. The sun streams through the gaps in the tie-dye tent sheltering them and they are just so cool. Life of Riley, a two-piece made up of a guitarist and singer are cute and stuff. But it kind of reminds me of myself sitting around a park with my friends, someone playing, someone singing. Nothing special, but definitely something special for Sunday morning.

The day is lazy. The fast-approaching winter sun beats down and we sit on the rocks listening to the music, not one of us wanting to talk about the prospect of leaving tomorrow. The beer is warm, and a nap is in order. The tree falls on my head as I sleep. Tent pegs aren’t as good as roots.

The evening brings the Jack Mantis Band. They’re undoubtedly good. Highly recommended, just don’t follow them on Facebook because they spam sometimes. Their music is anything but spam. Chilled at times, sometimes intense, I really like them. Especially when they call on Dan Patlansky to play All Along the Watchtower with them.

Lowprofile

Lowprofile are disappointing. They used to be so cool, but now it’s just the same old thing. I expected them to grow in the years I’ve been out of Durban but they’re all just the same. Nothing new in terms of music, stage performance or… anything. I used to like them. Now they’re just old hat.

Then came the big one. Dan Patlansky. My God! I could swear it was as if heaven descended upon Splashy Fen and came in the form of this young, insanely talented man. He closes his eyes, plugs in his guitar and just plays. An hour of magic, his picking at the strings almost as if he were picking at my solar plexus. That feeling of the music enveloping you and swirling around your head until it almost brings you to tears.

Dan Patlansky

After that, not much else could be more amazing. Dance, You’re on Fire, Sibling Rivalry and Captain Stu all moved our feet. But the weekend was made complete by Dan and Holiday Murray, who impressed me the most.

Back to the campfire and out comes the guitar. We sing and chat until 4am. We can’t believe it’s almost time to go back to the real world.

Packing up is never a happy time, but we all make the best of it and down the last of our beers. Hitting the road, the adrenaline and excitement of the weekend hits us and lulls us to sleep. Until next year, Splashy Fen. Until next year.

 

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Making magic: Splashy Fen part I

Tuesday, May 10th, 2011

Splashy Fen Music Festival is always on the top of my ‘to do’ list every year. This year, the first time I would be driving my own car to the farm in Underberg, I was a wee apprehensive. Leaving at 5am and armed with snacks, supplies and good music, two friends of mine and I set off in the darkness to the heart of the Drakensberg Mountains on a rainy Thursday morning.

The drive is always an adventure as we pass goats, deal with random pedestrians trying to sell us single raw eggs from a carton, try to avoid cows and see a few llamas on the side of the road too. It’s on these types of drives one gets to see just how beautiful South Africa is. It’s beyond breathtaking; the rolling hills, greenery and wildlife are par for the course. But the fact that all this land holds so much history, and man has never been able to fully invade this land is amazing.

Getting into Underberg, the roads become dirtier and we get more anxious to hit the festival. Turning the volume up, seeing other cars piled with gumboots, tents and sleeping bags, we hoot at each other with the knowledge that our lives are going to be slightly altered after this weekend. All we have to do is endure the bitch of a road that is the D600 – the road to the Splashy Fen Farm.

We arrive at the farm just after midday. It’s packed. Muddy. My god, is it muddy. My feet scream obscenities at me at the prospect of walking through that shit. People are already drunk, stoned or high on life. People are setting up tents and starting their braais, some already in the river and some passed out from the drive. It’s almost as if EVERY cool person left their city and descended upon the farm. We set up our tent, have a bite to eat and go cow tipping. I get injured. Welcome to Splashy.

The music on Thursday night is mostly disappointing but Holiday Murray stole the limelight. A ‘progressive folk rock’ four piece, this band is polished, talented and is going to go places. Very much like the Fleet Foxes and a young Crosby, Stills and Nash, I have high hopes for this bunch of guys from Cape Town. They’re nice guys to boot. I hear sighs and swoons from women behind me as guitarist Justin Davenport picks up a ukulele. I don’t blame them.

Holiday Murray

 

Isochronous sounded better than they did at RAMfest. Perhaps it was just the sound. Their old stuff sounded as awesome as I remember. Their new stuff? Nah… not for me.  However, The Otherwise rocked out until the last person was too tired to dance anymore. This Durban band is punk, rock, sleaze, drugs and booze mixed into one incredibly energetic and potent cocktail. They draw from the punk legends of old and refine it to something almost Arctic Monkey-esque. I like them. A lot.

Isochronous

The Otherwise

Friday brings in the legends, and the waterworks.

With a walkabout around the farm, meeting old friends, making new ones and getting up to random mischief, we are welcomed to the farm by an old friend. Splashy legend Tony Cox makes his guitar sing and I have to remind myself that this is one dude with one guitar. There is a reason everyone at the Fen loves and respects him so. The man is a genius. With his chilled stage presence and guitar mastery, all he needs is a cold beer and he’d be cooler than Christmas. Miles Sievwright impresses with his singer/songwriter stuff, as he did last year.

Tony Cox

The memorial to Syd Kitchen was what tugged at my heart strings. This man became an institution at Splashy Fen, having played every year since its inception. One of my memories of Syd was him sitting on the rocks with a cuppa (of what, I have no idea) and chatting to some friends. I said: “Hi Syd.” He said: “Not yet, love!”

The folk music continues through the afternoon and brings on the orange-purple-gold sunset and welcomes in the clear night sky. It’s almost surreal. Streaks of clouds encircling the tips of the mountains. Mist framing everything. The smell of burning wood clinging to everything you touch and the moon beaming boyishly upon the festivities. The stars are so clear, it’s as if they pierce your every glance. You can almost see the man on the moon. It’s cold. It’s exhilarating.

Catlike Thieves

Getting high on caffeine, we prepare for the onslaught of a manic line-up. Sheep Down, Catlike Thieves, The La Els and City Bowl Mizers command our feet like puppeteers. The energy, the sweat, the screaming girls and the front men being cocky little shits on stage make for the festival’s turn into a platform for the young guns. I am danced out.

The La Els

The City Bowl Mizers

But there is a campfire to go to. I clench my teeth and my beer and make my way down to the campsite, to be welcomed by a warm fire, more cold beer, awful white wine and friends.

This is the life.

 

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